Fashion designers have been involved in movies since the early days of cinema. The result is some of the most eye-catching and influential costumes ever committed to film, from Ralph Lauren's trend-setting masculine style for Diane Keaton in Annie Hall to Audrey Hepburn's little black Givenchy dress in Breakfast at Tiffany's. "Fashion in Film" celebrates the contributions of fashion designers to cinema, exploring key garments, what they mean in context of the narrative, and why they are so memorable. Illustrated with beautiful film stills, fashion images and working sketches, this book will appeal to lovers of both fashion history and cinema.

The film is inspired, in part, by the histories and personalities - the editors and writers - of publications such as the Paris Review, the New York Review of Books and, especially, the New Yorker.

Iris Brey théorise le regard féminin, ou female gaze, une façon de filmer les femmes sans en faire des objets, de partager la singularité des expériences féminines avec tous les spectateurs, quel que soit leur genre, et de renouveler notre manière de désirer en regardant sans voyeurisme. Des joyaux du cinéma à certaines œuvres plus confidentielles, en passant par quelques séries et films très contemporains, Iris Brey nous invite à nous interroger sur le sens caché des images.

Little white lies magazine is the leading independent voice in film, combining cutting-edge design, illustration and journalism to champion great movies and the people who make them.

This special issue celebrates David Fincher’s work, paying special attention to his monochrome marvel, his first film in six years! Grappling with the inception of one of the most influential films ever made and directed from a script written by Fincher’s father, get ready to meet Herman J. Mankiewicz.