Tanka L'autobus arrive Un zazou à chapeau monte Un heurt il y a Plus tard devant Saint-Lazare Il est question d'un bouton Cette brève histoire est racontée quatre-vingt-dix-neuf fois, de quatre-vingt-dix-neuf manières différentes. Mise en images, portée sur la scène des cabarets, elle a connu une fortune extraordinaire.

A tear-off calendar for 2024 by Dutch graphic designer Karel Martens. For each day of the year, Martens has created a unique arrangement, originally constructed using his signature method of printing letterpress monoprints from found metal forms, and then digitized to comprise 365 compositions in total. Every day is a new day!

«Alors, c’est la guerre!», c’est ce qu’aurait répondu le dirigeant grec Metaxás en 1940 face à l’ultimatum posé par l’Italie fasciste. Cette réponse, comme symbole de résistance – incarnée aussi par le mot oxi (non) – continue d’influencer la politique grecque, comme lors du référendum de juillet 2015.
En Grèce, suite à la crise financière et aux exigences des créanciers, l’Etat a massivement réduit son action sociale, délaissant jusqu’à certaines de ses tâches les plus fondamentales.
Cette publication, réalisée à l’issue d’un séjour à Athènes, se veut être un essai photographique, graphique et théorique sur la résilience citoyenne face à une situation de crise sans précédent.

“Alors, c’est la guerre !” Is what the Greek leader Metaxás would have answered in 1940 in the face of the ultimatum posed by fascist Italy. This response, as a symbol of resistance – also embodied by the word oxi (no) – continues to influence Greek politics, as in the July 2015 referendum.
In Greece, following the financial crisis and the demands of creditors, the state has massively
reduced its social action, leaving up to some of its most fundamental tasks.
This publication, produced after a stay in Athens, aims to be a photographic, graphic and theoretical essay on citizen resilience in the face of an unprecedented crisis.

In an era of high-tech and climate extremes, we are drowning in information while starving for wisdom. Enter Lo—TEK, a design movement building on indigenous philosophy and vernacular infrastructure to generate sustainable, resilient, nature-based technology. With a foreword by anthropologist Wade Davis and spanning 18 countries from Peru and the Philippines to Tanzania and Iran, this book explores millennia-old human ingenuity on how to live in symbiosis with nature. Manifesting the disclosure of hidden knowledge, the book’s artful "Swiss binding showcases an open spine", revealing the construction of the book.

Peut-on parler de paysage "parallèle"? C’est la question qui anime ce quatrième numéro.

Nous les devinons – ils sont souterrains, sous-marins, alpins ou numériques, fantasmés, éloignés des centres urbains ou défendus par une clôture barbelée. "On ne voit que ce qu’on a appris à regarder" nous explique l’anthropologue Philippe Descola. Comment désapprendre ce qu’on pense savoir du paysage et de la nature ? "L’écologie des relations" de Philippe Descola est une des voies pour s’ouvrir à d’autres mondes.

Paysageur embarque pour une longue traversée, des îles Pitcairn au parc national des Calanques et à l’Afrique australe, des Alpes jusqu’aux Enfers, avec Ishtar, déesse de l’amour mésopotamienne, aussi belle que dangereuse.

Note from the editor:

In 1916, Arthur Eddington, a war-weary British astronomer, opened a letter written by an obscure German professor named Einstein. The neatly printed equations on the scrap of paper outlined his world-changing theory of general relativity. Until then Einstein's masterpiece of time and space had been trapped behind the physical and ideological lines of battle, unknown.

Einstein's name is now synonymous with 'genius', but it was not an easy road. He spent a decade creating relativity and his ascent to global celebrity owed much to against-the-odds international collaboration, including Eddington's globe-spanning expedition of 1919 - two years before they finally met. We usually think of scientific discovery as a flash of individual inspiration, but here we see it is the result of hard work, gambles and wrong turns.

"Einstein's War" is a celebration of what science can offer when bigotry and nationalism are defeated. Using previously unknown sources and written like a thriller, it shows relativity being built brick-by-brick in front of us, as it happened 100 years ago.

"Riveting... Stanley lets us share the excitement a hundred years later in this entertaining and gripping book. It's a must read if you ever wondered how Einstein became 'Einstein'" Manjit Kumar, author of "Quantum."