Note from the editor:

Sabine Marcelis’s chromatic overhaul of the Vitra Design Museum’s permanent collection; a study of technofossils and how design is coping with its deep time traces; All in Awe and Eva Feldkamp’s manifesto for altruistic design; a joyful journey into the studio of Yinka Ilori; a history of Swiss aluminium, told through the sand-cast furniture of Ville Kokkonen and Moritz Schmid; the dangers of design futures, explored at the Smithsonian Institution; a new physical form for radio, courtesy of Industrial Facility; and a report from the beta testing process for OMA’s Taipei Performing Arts Center.